Shown here is La Cornue’s Château 120 in matt black enamel with brushed stainless steel trim in a contemporary kitchen. Handmade to order in the Saint-Ouen l’Aumône workshops just outside Paris, every Château is a complete one off, equipped and finished to commission. 
Kenwood House has won best ‘Restoration of a Georgian Interior’ in the Georgian Group Architectural Awards 2014. The awards, now in their twelfth year, recognise British restoration and conservation projects and celebrate the dedication and vision of those committed to restoring Georgian buildings and landscapes.
Kenwood House, one of Robert Adam’s most famous works, was closed for 18 months of work to repair the fabric of the building and refresh the interiors. Working with English Heritage’s Curators, the architectural historian, interior designer and natural paint expert Edward Bulmer was asked to advise on updating the presentation of the Iveagh Bequest, an important collection of pictures gifted by the 1st Earl of Iveagh, Edward Cecil Guinness. Edward’s experience in the furnishing of such houses was invaluable in working with the Curators to create a scheme which both evokes a Georgian home and shows pieces of Iveagh’s own furniture for the first time. 
Many colours from Edward Bulmer Pots of Paint’s range were used in the Kenwood project, including Cerullian Blue, Granite Green and Brick.  
Martin Moore have opened a new London flagship showroom in Notting Hill, London’s latest design district. Perfectly in tune with this, their handmade English cabinetry is sleek and sophisticated: A palette of warm contemporary neutrals plays beautifully against contrasts in white ceramic, stainless steel, nickel, mirror glass, copper and brass. Textures too range from the highly polished to honed, tumbled and antiqued.

This is a journey in real furniture; custom designed, custom made, custom finished. Four collections of Martin Moore’s bespoke cabinetry are on display, showing a range of designs which blend and flow into one another. This reflects how most customers’ kitchens grow from a variety of furniture inspirations and incorporate a range of different materials and finishes. This is easy to accomplish because every Martin Moore kitchen is an individual design response, built entirely to order.

Left: Martin Moore’s New Classic kitchen is hand painted in warm shades of blue and lavender toning with the natural marble and granite tops and antiqued stone floor by Martin Moore Stone. The large island, complete with its knee-hole desk, is both a social space and a high-function working zone, forming the central feature of a kitchen which is minutely planned in every detail. Design accents include the spectacular book-matched marble wall panel, handmade glass lights and rose gold taps picking up on the new trend for warm metals.

Below: Martin Moore’s English kitchen combines fitted and freestanding pieces to create a calm and ordered space. Evident in every detail of the furniture, its very English aesthetic is brilliantly applied to modern living. Elements include the imposing freestanding dresser combining storage and display with bi-fold doors concealing a sink, microwave and coffee machine.

Throughout Martin Moore’s work, the sheer quality of the cabinetry underlines the vibrancy of English craftsmanship today. Their kitchens incorporate virtuoso furniture-making techniques, with innovative cooking technologies seamlessly integrated into the traditional timber construction. There is much to admire in the gleaming, high performance appliances from names such as Wolf, Gaggenau and Sub Zero… and even more to admire in the way that every kitchen offers so many brilliant ideas. Martin Moore’s signature style combines fitted and freestanding furniture, allowing the architecture of the room to take centre stage.

Even the largest kitchen needs the best possible use of space and expert zoning: Behind every door and drawer, the smallest detail of form and function is fully considered; whether it be a capacious pantry cupboard or a purpose-designed drinks zone with fridge, warming drawers and coffee maker, utterly dedicated to the perfect cup of coffee.

Right: Martin Moore’s New Architectural kitchen combines natural oiled oakwithcontemporary painted elements in white. The oak is given new urban edge by the addition of gleaming chrome slips. The display features one of Martin Moore’s signature Cook’s Tables acting as a magnificent freestanding centrepiece. Seen left, a compact cookzone is cleverly planned to offer utmost practicality, with a state of the art zoneless induction hob, teppanyaki and gas burners. The boiling water tap with its own shallow sink offers the busy cook another must-have facility.


Left: Martin Moore’s Modernist kitchen is inspired by the work of Frank Lloyd Wright. Intensely glamorous, it combines the rich warmth of solid walnut with hand painted cabinetry. Testament to the company’s exceptional cabinetry skills, the design has a strong focus on curves; defining the central island, the ends of the fitted runs and the corners of the cabinets themselves. A large freestanding bow fronted cabinet creates the perfect larder. The clever use of concealed lighting behind the cabinets underlines this kitchen’s luxurious contemporary feel.

Celebrating their 40th anniversary in 2015, Martin Moore were one of the very first handmade kitchen companies. In the early days, they built their kitchens from reclaimed timbers, but soon began to develop their own hallmark style of classic, timeless, English furniture, designed and made to order with a quality which transcends fashion. Still family run, Martin Moore now have seven showrooms and work across the UK, designing and building bespoke wooden kitchens, utility rooms, bedrooms, dressing rooms and freestanding furniture.

Everything is solidly, traditionally, custom-built in Martin Moore’s Yorkshire workshops and they undertake the entire installation, including fitting, painting and worktops. They have their own stone company, Martin Moore Stone, and mix their own paints. This end-to-end approach allows Martin Moore to install rapidly and efficiently… and to give a true lifetime guarantee: Uniquely, this transfers to the new owners of a kitchen when a property is sold. 
Britain’s leading silk specialist, James Hare celebrates its 150th Anniversary in 2015. The company is marking its remarkable history with two distinctive new collections. Launching at Maison & Objet, these fuse heritage inspirations with contemporary style.
With the perfect combination of classic and fashion-forward looks, James Hare always offers the widest choice of plain, patterned, textured and embroidered fabrics for curtains, headboards, cushions, lampshades and wallcoverings and more. Competitive prices make James Hare’s luxury fabrics accessible and affordable
Drawing inspiration from a range of eras in James Hare’s history, this decorative collection celebrates the company’s evolution from Yorkshire wool merchant to internationally renowned silk specialist.
Victorian: Diamond Bouquet
Lavishly embroidered (it takes a whole day to produce just 3 metres of this fabric) this supremely luxurious fabric is based on a diamond brooch given by the firm’s founder James Hare to his wife Mary Ellen when the business grew prosperous in the 1890’s. Sprays of flowers are picked out in dense metallic embroidery on a satin ground, with brilliant pinpoints of silver thread mimicking the sparkle of the original diamonds. Available in three colourways: 140cm wide, 65% cotton, 35% silk. 
Art Deco: Crystal
Art Deco heritage translated into classic contemporary style. Inspired by cracked ice, the geometric pattern is woven in metallic thread on a sateen ground, with an intriguingly shadowed 3-D effect. Crystal comes in four contrast colourways. 143cm wide, 40% polyester, 35% viscose, 25% silk. 
Mid Century Modern: Brilliance 
Brilliance takes the collection’s diamond theme into a large scale contemporary design with a nod to mid-century modern in its strong colours and high linen content which adds weight and texture to a lustrous satin weave. Brilliance comes in five colourways. 142cm wide, 42% polyester, 25% linen, 18% silk, 15% viscose. 
Op Art: Infinity Braid
A new and refined take on the 1960’s op art movement. The bold, curvaceous design is defined in a textured silk braid on a luxurious silk wool ground. Four colourways in a palette of modern neutrals. 137cm wide, 56% silk, 44% wool. A matching Infinity Braid Sheer is also available: 137 cm wide, 100% silk. Price for Infinity Braid: £98 per metre RRP. Infinity Sheer: 
1970's: Evolution Stripe 
Bold stripes, a classic fashion story from the 1970’s, are given new decorative potential for interiors. Modern colours, varying stripe widths and exciting weave contrasts add up to a must-have in contemporary living. The range co-ordinates, with the three colourways working alone and together. 141cm wide, 52% viscose, 48% bemberg. 
Richmond Velvet 
From the Victorian era which saw James Hare’s beginning right through into the modern day, velvet has always defined comfort and luxury. Celebrating this sumptuous fabric, the new Richmond Velvet collection offers silk velvet plains in a timeless palette ranging from classic to contemporary; from soft, subtle hues of grey and pearl to vibrant shades of hot pink, turquoise and orange. Super soft, yet with a rub test of 34,000, it is hardwearing enough to be used for severe domestic/general contract upholstery. A perfect partner to other silk fabrics, Richmond is also ideal for curtains, bedheads, cushions and other accents. 16 colours. 140cm wide, 40% viscose, 25% polyester, 18% cotton, 10% linen, 7% silk.
One of the joys of natural stone is its infinite variety of tone and texture, so that black becomes a subtle, living shade rather than a flat colour.

This organic quality makes black stone easy to live with; a chic look which can play up into super-contemporary or down into relaxed country living. Lapicida see black as one of the biggest emerging trends for walls and floors and offer an inspirational choice of new and reclaimed black stones - from limestone to slate and granite - in countless different shapes, sizes and finishes.
Drummonds have introduced a glamorous new Antique Brass finish for select baths and brassware. The Usk bath shown here was clad in solid brass and hand painted with a combination of acids and spirits specially blended to cause the surface of the brass to react, creating a patina rich with gold, brown, pink and green hues. A final coat of wax allows the depth of the colours to shine through.

This technique creates a finish that is full of character and in tune with the current trend for warm metals, adding real luxury to a bathroom scheme.
Also shown: De Gournay’s ‘Rateau’ wallpaper, part of the Eclectic collection.
The generously sized Aki bath is a contemporary statement for the bathroom, with a minimalist design that contrasts crisp, clean lines with gentle curves.

The Aki bath is available freestanding or recessed. It is handmade from pure white Cristalplant, a hypoallergenic composite, in a matt finish. Also available in bicolour black and white.
The newest colours from Edward Bulmer Pots of Paint include ‘Aquatic’, a warm blue green meld inspired by the changeable colour of the sea.
Edward notes that "Using water to describe a colour is the same cop-out it has always been since being listed in Colour Men’s catalogues in the 18th century. Is it blue, is it green? We don’t know - but it is the colour of water and just as life enhancing!”


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