JULY 21ST 2015

Edward Bulmer explains the stories behind four of his newest blues (below, from left):

Azurite: “This blue is a real pick-me-up, packed with pigment to give strength and depth, but with earthy warmth. It is a homage to the pigment widely used since the Middle Ages to convey status and the highest creative endeavour.”

Turquoise: “Turkish stone, as the French named it, was not actually from Turkey but the country was certainly the trade route by which it first came to Europe. It remains a universally loved colour with a vitality which is hard to beat. It can be created with Prussian Blue pigment and became popular after the publication of a recipe for the pigment in 1724. We have kept our recipe for this shade simple, to produce a clear, vibrant colour as true to the gem as the name.”

Vert de Mer: “The great thing about this sea blue is that it conveys all the warmth of the Med and the greeny depth of the ocean. As a wall covering it brings a richness that is free of the seasons but is wonderfully timeless and so can complement any age of furnishings.”

Aquatic: “Using water to describe a colour is still the cop-out that it has always been since being listed in the Colourmen’s catalogues of the 18th Century. Is it blue? Is it green? We don’t know, but it is the colour of water and just as life-enhancing!”


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